Thursday, April 25, 2024 Text is available under the CC BY-SA 3.0 licence.

Harry Chapin

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And I feel that something's coming, and it's not just in the wind.
It's more than just tomorrow, it's more than where we've been,
It offers me a promise, it's telling me "Begin",
I know we're needing something worth believing in.
--
Remember When the Music

 
Harry Chapin

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"My messages are temporary and shouldn’t be our permanent condition. And like the wind it will pass. We’ll have another wind coming."

 
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"A deathbed promise is the most sacred one there is," she hawked at him from the lungs that were almost, but not quite, filled up yet, "and I want you to make me this promise on my deathbed: Promise me you wont never hurt nobody unless its absolute a must, unless you jist have to do it."
"I promise you," he vowed to her, still waiting for the angels to appear. "Are you afraid?" he said.
"Give me your hand on it, boy. It is a deathbed promise, and you'll never break it."
"Yes maam," he said, giving her his hand, drawing it back quickly, afraid to touch the death he saw in her, unable to find anything beautiful or edifying or spiritually uplifting in this return to God. He watched a while longer for signs of immortality. No angels came, however, there was no earthquake, no cataclysm, and it was not until he had thought it over often this first death that he had had a part in that he discovered the single uplifting thing about it, that being the fact that in this last great period of fear her thought had been upon his future, rather than her own. He wondered often after that about his own death, how it would come, how it would feel, what it would be like to know that this breath, now, was the last one. It was hard to accept that he, who was the hub of this known universe, would cease to exist, but it was an inevitability and he did not shun it. He only hoped that he would meet it with the same magnificent indifference with which she who had been his mother met it. Because it was there, he felt, that the immortality he had not seen was hidden.

 
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I could say, "Wait! Wait! I know what's going to happen down here!" Well you knew what was going to happen down here. How does it help us get our job done for me to tell you what's going to happen down here? You could say, "Stop! I want to draw on the white board what we're going to do tomorrow, because I can see it coming." Well maybe I can see it coming too, but why make a commitment? It will come soon enough. So, we're certainly here and now, but I think we can become excellent predictors. It's just that we're careful not to depend upon prediction anymore than we have to.

 
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"Maybe Nina wouldn't have died if I hadn't moved in with them and drawn Sheener after me, but I can't feel guilty about that. I tried hard to be a good foster daughter to them, and they were happy with me. What happened was that life dropped a big custard pie on us, and that's not my fault; you can never see the custard pies coming. It's not good slapstick if you see the pie coming."
"Custard pie?" he asked, perplexed. "You see life as a slapstick comedy? Like the Three Stooges?"
"Partly."
"Life is just a joke then?"
"No. Life is serious and a joke at the same time."
"But how can that be?"
"If you don't know," she said, "maybe I should be the one asking the questions here."

 
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I wrote these two songs ["Coming Out of the Dark" and "Always Tomorrow"] as a celebration of hope. And, I want to send it out to all of those people who are suffering through this terrible disaster [Hurricane Katrina], and please know that you are not alone -- and you will not be.

 
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