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Harold Rosenberg

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The struggle to make an absolute statement in an individually conceived vocabulary accounts for the profound tensions inherent in the best modern work.
--
"Metaphysical Feelings in Modern Art" (p. 316)

 
Harold Rosenberg

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Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.

 
Hans Hofmann
 

Besides each one of us working individually, all of us have got to work together. We cannot possibly do our best work as a nation unless all of us know how to act in combination as well as how to act each individually for himself. The acting in combination can take many forms, but of course its most effective form must be when it comes in the shape of law —that is, of action by the community as a whole through the lawmaking body.

 
Theodore Roosevelt
 

One should see the dominant role of the weak in shaping man's fate not as a perversion of natural instincts and vital impulses, but as the starting point of the deviation which led man to break away from, and rise above, nature — not as degeneration but as the generation of a new order of creation.
The corruption inherent in absolute power derives from the fact that such power is never free from the tendency to turn man into a thing, and press him back into the matrix of nature from which he has risen. For the impulse of power is to turn every variable into a constant, and give to commands the inexorableness and relentlessness of laws of nature. Hence absolute power corrupts even when exercised for humane purposes. The benevolent despot who sees himself as a shepherd of the people still demands from others the submissiveness of sheep. The taint inherent in absolute power is not its inhumanity but its anti-humanity.

 
Eric Hoffer
 

The synthesis of absolute innocence and absolute guilt is not an aesthetic category, but a metaphysical one. This is the real reason why one has always been ashamed to call the life of Christ a tragedy, because one instinctively feels that aesthetic categories do not exhaust the matter. In yet another way it is clear that Christ’s life is something more than can be exhausted in aesthetic categories: by the fact that these categories neutralize themselves in this phenomenon, and are still in equilibrium. The identity of an absolute action and an absolute suffering is beyond the powers of aesthetics, and belongs to metaphysics. This identity is exemplified in the life of Christ, for His suffering is absolute because the action is absolutely free, and His action is absolute suffering because it is absolute obedience. Hence the element of guilt which remains is not subjectively reflected, and this makes the sorrow profound.

 
Soren Aabye Kierkegaard
 

Liberty, as it is conceived by current opinion, has nothing inherent about it; it is a sort of gift or trust bestowed on the individual by the state pending good behavior.

 
Mary McCarthy
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