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Greta Garbo

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Garbo still belongs to that moment in cinema when capturing the human face still plunged audiences into the deepest ecstasy, when one literally lost oneself in a human image as one would in a philtre, when the face represented a kind of absolute state of the flesh, which could be neither reached nor renounced.
--
Roland Barthes, "The Face of Garbo," Mythologies (1957), trans. Annette Lavers [Farrar, Straus, 1986, ISBN 8090-1369-X/0470], p. 56

 
Greta Garbo

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