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Gregory Colbert

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Colbert’s work feels timeless and sacred. It resonates with a luminous, essential wisdom speaking through the ages. . . . Colbert’s work operates in a parallel universe to ours, an earnest, refreshing, post-ironic world where pure wonder and awe still reside.
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As quoted in "Canadian artist Gregory Colbert's Photographs are the subject of a giant exhibit in Venice" by Simon Houpt in The Globe and Mail (9 April 2002)

 
Gregory Colbert

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"After coming back to the show, I was shocked at how much thought and distillation he personally puts into the script," [Stephen Colbert] says, "that care and unbelievable work ethic, and ability to consume information, digest and distill a story. He's telling us that this is the mechanics of the human interaction, and this is the actual message of the story."
Colbert says Stewart's intelligence (the host can read books and script pages at lightning speed) can't be overstated, and that the show's mojo comes from stories Stewart brings to light that the traditional media fail to report.
"He's naming what seems most ridiculous about the news, which is the personalities and the news itself," Colbert says. "It's only the overt game that's being reported."

 
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Stephen Colbert says that for all of Jon Stewart's acumen when it comes to politics and comedic timing, "The Daily Show" host and managing editor has no problem going lowbrow.
"He knows when to break the glass, if necessary," Colbert reasons.

 
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A goal of Colbert while working as a correspondent on "The Daily Show" — one of his "greatest joys" — was whether he could make Stewart laugh in the middle of a segment. [...] "I knew the piece was good if he couldn't look at me when we were at the desk together," Colbert recalls. "We did much (fewer) green screen segments then. The highlight was when we were covering the Democratic convention in 2004, and I did a piece on Obama being the son of a goat farmer and I said I was the son of an Appalachian turd miner. Jon couldn't look at me for the entire thing."

 
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Allahpundit says Stephen Colbert bombed. (Angry lefties think he was brilliant, of course.)

 
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What constitutes the essential, characteristic difference between everyday reality and the world picture experienced in LSD inebriation? Ego and the outer world are separated in the normal condition of consciousness, in everyday reality; one stands face-to-face with the outer world; it has become an object. In the LSD state the boundaries between the experiencing self and the outer world more or less disappear, depending on the depth of the inebriation. Feedback between receiver and sender takes place. A portion of the self overflows into the outer world, into objects, which begin to live, to have another, a deeper meaning. This can be perceived as a blessed, or as a demonic transformation imbued with terror, proceeding to a loss of the trusted ego. In an auspicious case, the new ego feels blissfully united with the objects of the outer world and consequently also with its fellow beings. This experience of deep oneness with the exterior world can even intensify to a feeling of the self being one with the universe. This condition of cosmic consciousness, which under favorable conditions can be evoked by LSD or by another hallucinogen from the group of Mexican sacred drugs, is analogous to spontaneous religious enlightenment, with the unio mystica. In both conditions, which often last only for a timeless moment, a reality is experienced that exposes a gleam of the transcendental reality, in which universe and self, sender and receiver, are one.

 
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