'Live for Loving You' is a kind of song that really can live in many different genres. And, of course, when you do your live performances the first time that you perform a song you want to stay true to the record: because tha's what people want to hear, they want to hear the hit. But then after you have done it fifty thousand times and through many, many different tours, you start experimenting and doing stuff to surprise people. So, the cut that we are doing here for the "iTunes Orginal" is something that we love to do -- because we just took it and really broke it down to a Samba. You know, the Brazilians have an amazing edge -- percussively, I think -- they have amazing rhythms. And this song really fit that rhythm very nicely. So, we wanted to do it acoustically and really cool -- and like we've done many times on tour. Just break it down to just acoustic, no synths and things of that nature: just make it organic. And I love that song for that reason: because you could perform it with just a couple of bongos and some vocals if you had to. And it would still work.
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iTunes interview (released June 2, 2007)Gloria Estefan
» Gloria Estefan - all quotes »
Mike Shinoda: "On our first Fort Minor tour, Styles of Beyond were touring with me. [Bucky Done Gun] by M.I.A. was practically the theme song that tour. I think our crew was sick of hearing it! At any rate, I think that's what one of my favorite things about music is: those times when hearing a song reminds you of a time in your past, when it connects you directly with the memory every time you hear it. Good song."
M.I.A.
Apple has really done its job. I thought it was a cute but harmless song (I first heard the song when she performed it on Letterman this past summer, and thought the chorus part was fun. That was about it). But now? I'm at the point where I'm thinking, "the next time I'm on iTunes I should download that song." And there's a reason for that. If I don't hear the entire song, the thirty-second snippet Apple gave us in the ad will rattle around in my cranium for months. So it's either download the song or go out and yell at the college kid who's going to serve me my latte tomorrow morning. You can see that I have no choice.
Leslie Feist
[On 2 Live Crew] One song was 'Suck My Dick'. Not please. Not honey, do you have a minute? 'Suck My Dick'. Like soomething the Beatles coulda rolled out. "Hey, Jean, would you like to write 'Suck My Dick'?" "Well, I don't know, do we have time? Sounds like such a hard song to write." That was the song! 'Suck My Dick'! F**kin' album sold two million records with a song called "Suck My Dick"! Like the guy got up one morning and went, "you know, today I wanna write a song. Today I want to write a love song. I want to write a song that tells how a woman and a man feel when they meet each other for the first time and they fall in love; I want to put into words feelings that men have always had, but they've never been able to express. All right, I think I'll call this song..." [Pauses, then the audience yells "Suck My Dick"] Yeah. It's that song that's gonna be on that f**kin' Golden Oldie rap album in ten years... "Where were you when you heard 'Suck My Dick?'" Remember those old days?
Sam Kinison
On his live versions of songs like "How Great Thou Art" (1975), "Unchained Melody" (1976) and "Hurt" (1977), you will be able to hear how high he can go; but, it is essentially on "What Now My Love" (sang live at his "Aloha from Hawaii" global telecast, which reached 1 billion viewers when first aired in 1973), where he goes up three octaves at the end of the song, that you can really hear his true vocal power.
Elvis Presley
Estefan, Gloria
Estienne, Henri
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