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George Farquhar

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Poetry’s a mere drug, Sir.
--
Love and a Bottle (1698), Act iii, Sc. 2.

 
George Farquhar

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“Sangamon’s Principle,” I said. “The simpler the molecule, the better the drug. So the best drug is oxygen. Only two atoms. The second-best, nitrous oxide—a mere three atoms. The third-best, ethanol—nine. Past that, you’re talking lots of atoms.”
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In today's anti-drug climate, people don't want to hear about the commercial potential of marijuana. The reason is that the flowering top of a female hemp plant contains a drug. But from 1842 through the 1890s a powerful concentrated extract of marijuana was the second most prescribed drug in the United States. In all that time the medical literature didn't list any of the ill effects claimed by today's drug warriors.

 
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Made poetry a mere mechanic art.

 
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Poetry is I say essentially a vocabulary just as prose is essentially not. And what is the vocabulary of which poetry absolutely is. It is a vocabulary based on the noun as prose is essentially and determinately and vigorously not based on the noun. Poetry is concerned with using with abusing, with losing with wanting with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry. So that is poetry really loving the name of anything and that is not prose.

 
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