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Gene Wolfe

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The only actors who can really do justice to their parts are the ones who don't know what they are.
--
"Kevin Malone", New Terrors (1980), ed. Ramsey Campbell

 
Gene Wolfe

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I have twice seen Macready act; once in Macbeth and once in Othello. I astounded a dinner-party by honestly saying I did not like him. It is the fashion to rave about his splendid acting; anything more false and artificial, less genuinely impressive than his whole style, I could scarcely have imagined. The fact is, the stage-system altogether is hollow nonsense. They act farces well enough; the actors comprehend their parts and do them justice. They comprehend nothing about tragedy or Shakespeare, and it is a failure. I said so, and by so saying produced a blank silence, a mute consternation.

 
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Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.

 
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In all the previous cases of wholes, we have nowhere been able to argue from the parts of the whole. Compared to its parts, the whole constituted by them is something quite different, something creatively new, as we have seen. Creative evolution synthesises from the parts a new entity not only different from them, but quite transcending them. That is the essence of a whole. It is always transcendent to its parts, and its character cannot be inferred from the characters of its parts.

 
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Actors already striving in the theatre wouldn't dream of putting themselves on these shows; it means that only about 10% of the talent out there is being auditioned for parts.

 
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Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.

 
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