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Gao Xingjian

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The sand murmurs that it wants to swallow everything.
--
p. 101

 
Gao Xingjian

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But I have sinuous shells of pearly hue...
Shake one, and it awakens; then apply
Its polished lips to your attentive ear,
And it remembers its august abodes,
And murmurs as the ocean murmurs there.

 
Walter Savage Landor
 

In walls of masonry the first question must be with regard to the sand, in order that it may be fit to mix into mortar and have no dirt in it. The kinds of pitsand are these: black, gray, red, and carbuncular. Of these the best will be found to be that which crackles when rubbed in the hand, while that which has much dirt in it will not be sharp enough. Again: throw some sand upon a white garment and then shake it out; if the garment is not soiled and no dirt adheres to it, the sand is suitable.

 
Vitruvius
 

With regard to lime we must be careful that it is burned from a stone which, whether soft or hard, is in any case white. Lime made of close-grained stone of the harder sort will be good in structural parts; lime of porous stone, in stucco. After slaking it, mix your mortar, if using pitsand, in the proportions of three parts of sand to one of lime; if using river or sea-sand, mix two parts of sand with one of lime. These will be the right proportions for the composition of the mixture. Further, in using river or sea-sand, the addition of a third part composed of burnt brick, pounded up and sifted, will make your mortar of a better composition to use.

 
Vitruvius
 

Leave the earth to the strong and athletic,
And the sea to adventure upon.
But the sun and the sand
No contractor can copy;
We lie in the land
Of the lotus and poppy;
We vegetate, calm and aesthetic,
On the beach, on the sand, in the sun.

 
Ogden Nash
 

We call it a grain of sand
but it calls itself neither grain nor sand.
It does just fine without a name,
whether general, particular,
permanent, passing,
incorrect or apt.

 
Wislawa Szymborska
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