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Gabriel Garcia Marquez

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The anxiety of falling in love could not find repose except in bed.

 
Gabriel Garcia Marquez

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Our courteous Lord willeth not that His servants despair, for often nor for grievous falling: for our falling hindereth not Him to love us. Peace and love are ever in us, being and working; but we be not alway in peace and in love. But He willeth that we take heed thus that He is Ground of all our whole life in love; and furthermore that He is our everlasting Keeper and mightily defendeth us against our enemies, that be full fell and fierce upon us; — and so much our need is the more for we give them occasion by our falling.

 
Julian of Norwich
 

Anxiety occurs because of a threat to the values a person identifies with his existence as a self ... most anxiety comes from a threat to social, emotional and moral values the person identifies with himself. And here we find that a main source of anxiety, particularly in the younger generation, is that they do not have viable values available in the culture on the basis of which they can relate to their world. The anxiety which is inescapable in an age in which values are so radically in transition is a central cause of apathy ... such prolonged anxiety tends to develop into lack of feeling and the experience of depersonalization.

 
Rollo May
 

What makes a teenage boy’s anxiety so overwhelming is that a teenage boy’s socialization is the demand to perform without the resources to perform. As a result, not only are his risks many, but his failures many. And so apparent… Second, the biggest winners—the football players—are receiving love via self-abuse. For some boys, receiving love via self-abuse creates anxiety. But losing love creates even more anxiety.

 
Warren Farrell
 

I was born in a cloud...
Now I am falling.
I want you to catch me.
Look up and you'll see me.
You know you can hear me.
The world is so loud. Keep falling. I'll find you.

 
Kate Bush
 

... anxiety is a reflection, and in this respect is essentially different than sorrow. Anxiety is the organ by which the subject appropriates sorrow and assimilates it. Anxiety is the energy of the movement by which sorrow bores its way into one’s heart. But the movement is not swift like the thrust of a dart, it is successive; it is not once for all, but it is constantly continuing. As a passionate, erotic glance desires its object, so anxiety looks upon sorrow to desire it. As the quiet, incorruptible glance of love is preoccupied with the beloved object, so anxiety occupies itself with sorrow. But anxiety has another element in it which makes it cling even more strongly to its object, for it both loves it and fears it. Anxiety has a two-fold function. Partly it is the detective instinct which constantly touches, and by means of this probing, discovers sorrow, as it goes round about the sorrow. Or anxiety is sudden, posits the whole sorrow in the present moment, yet so that this present moment instantly dissolves in succession. Anxiety is in this sense a truly tragic category, and the old saying: quem deus vult perdere, primum dementat, (whom God wishes to destroy, he first makes insane) in truth rightly applies here. That anxiety is determined by reflection is shown by our use of words; for I always say: to be anxious about something, by which I separate the anxiety from that about which I am anxious, and I can never use anxiety in an objective sense; whereas, on the contrary, when I say “my sorrow,” it can just as well express that which I sorrow over, as my sorrow over it. In addition, anxiety always involves a reflection upon time, for I cannot be anxious about the present, but only about the future; but the past and the future, so resisting one another that the present vanishes, are reflective determinations.

 
Soren Aabye Kierkegaard
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