Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.
--
As quoted in Rolling Stone no. 421 (1984)Federico Fellini
» Federico Fellini - all quotes »
"I live cinema. I chose the cinema when I was very young, sixteen years old, and from then on my memories virtually coincide with the history of the cinema ... I'm not a director with a personal style, I am simply cinema. I have grown up with and through cinema; everything that I've had in the way of education has been through the cinema; insofar as I'm interested in images, in books, in music, it's all due to the cinema."
Michael Powell
"Mani Kaul was one of the greatest auteurs of New Wave Indian Cinema. His films reflected his personal creative vision. Kaul was a man with a luminous mind who pioneered the parallel cinema movement in India. His films explored a new language and expression. Innovative imagery, vocabulary and experimentation were his forte. His debut film Uski Roti was a landmark film in Indian cinema. He was deeply influenced by Robert Bresson, Andrei Tarkovsky and Ritwik Ghatak, though he made a mark of his own."
Arin Paul
You need to know at least one foreign language well enough so that you can read the best literature that that language has produced in the original, and so you carry on a reasonable conversation and have dreams in that language. There are several reasons why this is crucial, but the most important is perhaps this: you can never understand one language until you understand at least two.
John Searle
Antonio dreams of owning the land he works on, he dreams that his sweat is paid for with justice and truth, he dreams that there is a school to cure ignorance and medicine to scare away death, he dreams of having electricity in his home and that his table is full, he dreams that his country is free and that this is the result of its people governing themselves, and he dreams that he is at peace with himself and with the world. He dreams that he must fight to obtain this dream, he dreams that there must be death in order to gain life. Antonio dreams and then he awakens…. Now he knows what to do and he sees his wife crouching by the fire, hears his son crying. He looks at the sun rising in the East, and, smiling, grabs his machete. The wind picks up, he rises and walks to meet others. Something has told him that his dream is that of many and he goes to find them.
Subcomandante Marcos
This is now. We are filled with optimism and expectation. Why would we want to see such a film, however brilliantly it has been made? I think it's because a film like Amour has a lesson for us that only the cinema can teach: the cinema, with its heedless ability to leap across time and transcend lives and dramatize what it means to be a member of humankind's eternal audience.
Roger Ebert
Fellini, Federico
Felt, W. Mark
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