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The technical procedures doubtless release energies in the artist that remain unused in the much more lightweight processes of drawing or painting (remark on printmaking).
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'Uber Kirchners Graphik', (under his pseudonym Louis deMarsalle) E. L. Kirchner, Genius 3, Book 2, 1922, 251-63, reprinted by National Gallery, Washington D.C. 2003, p. 226 ; as quoted in “Kirchner and the berlin street”’, ed. Deborah Wye, Moma, New York, 2008, p. 71

 

Ernst Ludwig Kirchner

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I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don’t see how it could be disassociated from the nature of drawing.. ..I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.. ..the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it’s just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..

 

Franz Kline

 

It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear and I feel the drawing making itself, the image taking hold. This in turn moves me towards painting -anxious to get to the same place, with the actuality of paint and light.

 

Phillip Guston

 

Without comprehension, the immigrant would forever remain shut—a stranger in America. Until America can release the heart as well as train the hand of the immigrant, he would forever remain driven back upon himself, corroded by the very richness of the unused gifts within his soul.

 

Anzia Yezierska

 

I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.

 

Guity Novin

 

Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything.. ..A convent, a monastery, a phalanstery of painting where one could train together.. ..but no programme, no instruction in painting.. ..drawing is still alright, it doesn’t count, but painting – the way to learn is to look at the masters, above all at nature, and to watch other people painting..

 

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