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Elizabeth Hardwick

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Sex, without society as its landscape, has never been of much interest to fiction.
--
Guilt, Character, Possibilities" (p. 235)

 
Elizabeth Hardwick

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By mortifying vanity we do ourselves no good. It is the want of interest in our life which produces it; by filling up that want of interest in our life we can alone remedy it. And, did we even see this, how can we make the difference? How obtain the interest which society declares she does not want, and we cannot want?

 
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In 1977, facing first-time parenthood and an absolute lack of enthusiasm for anything like "career," I found myself dusting off my twelve-year-old's interest in science fiction. Simultaneously, weird noises were being heard from New York and London. I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign. And I began, then, to write.
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The one kind of society that the Church cannot adjust to is no society at all, i.e., a setup where community has become so fragmented that a communal religion is a fiction, sustained only by talk and make-news items in the press and television.

 
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I think that for science fiction, fantasy, and even horror to some extent, the differences are skin-deep. I know there are elements in the field, particularly in science fiction, who feel that the differences are very profound, but I do not agree with that analysis. I think for me it is a matter of the furnishings. An elf or an alien may in some ways fulfill the same function, as a literary trope. It’s almost a matter of flavor. The ice cream can be chocolate or it can be strawberry, but it’s still ice cream. The real difference, to my mind, is between romantic fiction, which all these genres are a part of, and mimetic fiction, or naturalistic fiction.

 
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