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Elizabeth Gaskell

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It was his general plan to repress emotion by not showing the sympathy he felt.
--
Wives and Daughters, ch. 11
--
Wives and Daughters, ch. 11

 
Elizabeth Gaskell

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"I do not literally paint that table, but the emotion it produces upon me."
After a pause full of intense thought on my part, I asked: "But if one hasn't always emotion. What then?"
"Do not paint," he quickly answered. "When I came in her to work this morning I had no emotion, so I took a horseback ride. When I returned I felt like painting, and had all the emotion I wanted.

 
Henri Matisse
 

I had the feeling that another kind of life – perhaps in a transcendental area – would give me a better possibility to influence, or to work, ot to act within this contradiction.. ..This was my general feeling: on the one side, this beautiful undamaged nature form which I took al lot and had a lot of possibilities for contemplation, meditation, research, collecting things, making a kind of system; and on the other side, this social debacle that I felt already as a coming dilemma. Yes, as a child I was aware of it, but later I could analyse the debacle.. ..But I saw the relationship between people, I saw their thoughts, I saw their kind of expressionistic behaviour in every difficult situation. I saw all the time the unclearness in the psychological condition of the people. You know, that was the time of the Roaring Twenties and I felt that this expressionistic behaviour, this unformed quality of soul power and emotion of life.. ..I saw it, that it would lead to a kind of catastrophe. That was my general feeling (during his youth, fh)

 
Joseph Beuys
 

This power...reveals itself in the balance or reconcilement of opposite or discordant qualities: of sameness, with difference; of the general with the concrete; the idea with the image; the individual with the representative; the sense of novelty and freshness with old and familiar objects; a more than usual state of emotion with more than usual order; judgment ever awake and steady self-possession with enthusiasm and feeling profound or vehement; and while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.

 
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George W. Bush
 

And then, while writing, a new and thrilling relationship would spring up under the drive emotion, coalescing and telescoping alien facts into a known and felt truth. That was the deep fun of the job; to feel within my body that I was pushing out to new areas of feeling, strange landmarks of emotion, tramping upon foreign soil, compounding new relationships of perceptions, making new and - until that very split second of time! - unheard-of and unfelt effects with words.

 
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