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Edward German

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I should like to shake Eric Coates but I won't. When I meet him he says, "I just love every note you have written." and I believe he does--but--as you say--well!
--
German's exasperation with the perception of fellow composer Coates imitating his own style, in a letter to his sister Rachel (4 January, 1925)

 
Edward German

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I am told [Mrs. Coates] bears me in mind and is of a disposition to look with something of favor on my work—which I might say, quoting one of William's playful quips, 'shows her good sense.' They tell me Mrs. Coates is quite a woman among women—is beautiful, shines with great brightness, and, by those who know her well, is admired and cherished...(93) I don't know Mr. Coates but I know the wife—a beautiful, true woman, I have always believed her. We have had several talks together—or maybe only one talk: I am not clear about that now—but I shall always remember what she said—the effect of her talk, which was mainly about Matthew Arnold, who was her guest in Germantown. Arnold is a man for whom I never seem to be able to get up any stir—with whom I never have had and never could have a thorough-going affinity. But Mrs. Coates gave me the other side of him—the social side, the personal side, the intellectual side—the side of deportment, behavior—the side which I ought perhaps most to hear about and did willingly and gladly hear of from her. For every man has that better thing to be said of him—is entitled to all it may mean, signify, explain...(112) Yes, tell the Coates people—Mrs., Mr. Coates—to come over: I will see them...(156) I saw [Mr. and Mrs. Coates]—was glad to see them: both of them are so good, cordial, sincere—she particularly. It does my old eyes good to look at such a woman...(215) The letter [Mrs. Coates had sent to me] that came with [the poem, "The Promised Land"] was very hospitable, forth-giving: I liked it: indeed, the letter was a better poem than the poem: a real poem, in fact...(396)

 
Florence Earle Coates
 

Mrs. Coates is the very incarnation of contradiction. The action of her life is cast along the lines of conventional routine; but the hidden and real existence of the woman is carried on miles beyond and above all the material concerns, in the pure ether of the poet's realm. She will shut herself up with the "wide-eyed muse" to round a sonnet of majestic reach, or she will merge into the gay world, the laces of a dutchess about her, precious stones at her throat and glowing roses on her breast, there to dazzle all listeners to her conversation, in which bon mot, persiflage, eloquence and philosophy are interwoven. She is a "fine lady," and yet her poetry is never tainted by "fine ladyism." She is a bluestocking, but with none of the unlovely signs of bluestockingism about her. Another woman with Mrs. Coates' voice, mobile face, and evident histrionic instinct would have dashed away from the conventional life and sought vent for the "tempest within" in the mimic world of the stage, but Mrs. Coates is mistress of a perfectly ordered home.

 
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You hear people in restaurants competing with each other "I love you". "No, I love you". "Yeah, but I REALLY love you. I love pencils that you have sucked and thrown away ten years ago. I love your eyebrows and your ancestry and EVERYTHING ABOUT YOU! Just eat your food and let me love you, don't speak!" But what they don’t know, of course, at the time is that that dialogue is actually from a really bad science fiction film written by nature - really, what they're saying to one another is: "The race must continue, the race must continue! My vadudium is pointing at your phenungulator, the race must continue!".

 
Dylan Moran
 

I heard what I thought was a clear note of music which sounded from the sky, through the hill and in me. Then I heard a voice which said, "There are some books which it is desired should be written for the public. You can write them. Will you do so?" Without a moment's notice I said, "Certainly not. I'm not a darned psychic and I don't want to be drawn into anything like that."

 
Alice Bailey
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