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Derren Brown

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Séances lost their popularity with the invention of infrared photography when it became possible to see what mediums were doing in the dark. Nowadays, spiritualists’ fakery is more ambiguous and subtle.

 
Derren Brown

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Séances date back to the 1800s after three sisters by the name of Fox claimed to be able to contact the dead. They toured America with their demonstrations and attracted the rich and famous and by the end of the century séances had taken off all over the western world. Spirits were manifested, tambourines flew, ectoplasm impossibly erupted from entranced mediums. Then, after forty years of this, rather embarrassed by what they’d started, one of the sisters, Margaret Fox, confessed that they were frauds. The miracles which had started it all off had been a scam. But her confession made very little difference and spiritualism continues to appeal to many people today.

 
Derren Brown
 

Invention, it must be humbly admitted, does not consist in creating out of void, but out of chaos; the materials must, in the first place, be afforded: it can give form to dark, shapeless substances, but cannot bring into being the substance itself. In all matters of discovery and invention, even of those that appertain to the imagination, we are continually reminded of the story of Columbus and his egg. Invention consists in the capacity of seizing on the capabilities of a subject, and in the power of moulding and fashioning ideas suggested to it.

 
Mary Wollstonecraft Shelley
 

In the rest of my lecture I would like to use the word "ambiguous" in accordance with the distinction made by the eminent British poet Kathleen Raine; she once said of William Blake that he was not so much vague as ambiguous. I cannot talk about myself otherwise than by saying "Japan, the Ambiguous, and Myself".

 
Kenzaburo Oe
 

Overhead, capricious spring clouds began to scud across the sky in mackerel shapes, promising more rain. Garraty turned up his collar and listened to the sound of his feet pounding the pavement. There was a trick to that, a subtle mental adjustment, like having better night vision the longer you were in the dark. This morning the sound of his feet had been lost to him. They had been lost in the tramp of ninety-nine other pairs, not to mention the rumble of the halftrack. But now he heard them easily. His own particular stride, and the way his left foot scraped the pavement every now and then. It seemed to him that the sound of his footfalls had become as loud to his ears as the sound of his own heartbeat. Vital, life and death sound.

 
Stephen King
 

Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it. Degas liked it not only because it provided an accurate record, but because the snapshot showed him a means of escape from the classical rules of design. Through it he learnt to make a composition without the use of formal symmetry.

 
Kenneth Clark
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