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Dean Acheson

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"It is a mistake to interpret too literally and sweepingly the poet's admonition that things are not what they seem. Sometimes they are, and it is often essential to survival to know when they are and when they are not."

 
Dean Acheson

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?schylus is above all things the poet of righteousness. "But in any wise, I say unto thee, revere thou the altar of righteousness": this is the crowning admonition of his doctrine, as its crowning prospect is the reconciliation or atonement of the principle of retribution with the principle of redemption, of the powers of the mystery of darkness with the coeternal forces of the spirit of wisdom, of the lord of inspiration and of light.

 
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"Hypertext is a representation of the text which escapes and surprises by turns," I wrote. Given the pure unaccountability (it is literally impossible to read all the possible variations of a richly linked hypertext) a hyperfiction writer is always attuned to "how the reader will interpret the literature presented" since its presentation shifts and flows in its composition as well.

 
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The existence of a free market does not of course eliminate the need for government. On the contrary, government is essential both as a forum for determining the "rule of the game" and as an umpire to interpret and enforce the rules decided on.

 
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I tried to explain to her the significance of the great poet, but without much success, The Waste Land not figuring very largely in Mam's scheme of things.
"The thing is," I said finally, "he won the Nobel Prize."
"Well," she said, with that unerring grasp of inessentials which is the prerogative of mothers, "I’m not surprised. It was a beautiful overcoat."

 
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Everybody's a little more worldly now, and there's more exposure to things. When I made Fun House, back in 1970, nobody wanted to interview me. It was wonderful. I was like one of those little white things you find living under rocks, that every once in a while people pull up by mistake and go, "aagh!" But now everybody has a video camera, and that may have changed the nature of "the message from below," as it were.

 
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