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David Gilmour

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"There are people who say we [Pink Floyd] should make room for younger bands. That's not the way it works. They can make their own room."

 
David Gilmour

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"Either you write songs or you don't. And if you do write songs like I do, I think there's a natural desire to want to make records. So, when I left Pink Floyd, I guess I had two, no three choices open to me: Not to do it anymore, which is daft as I was writing songs, although I suppose I could have written for other people, but I like making records; so I could either do it as Roger Waters or I could have got together with other people and said hey, why don't we start a band? But my view of bands had been jaundiced slightly by my previous experience, so I think that was something I never considered."

 
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Kant ... stated defensively that he had "found it necessary to deny knowledge. . . to make room for faith," but he had not made room for faith; he had made room for thought, and he had not "denied knowledge" but separated knowledge from thinking.

 
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"I like our music to feel three-dimensional. It's about trying to invoke emotions in people, I suppose. You feel larger than life in some sort of way. Let's face it — none of us in Pink Floyd are technically brilliant musicians, with great chops who can change rhythms, fifteen or sixteen bars here, there, and everywhere. And we're not terribly good at complicated chord structures. A lot of it is just very simple stuff dressed up. We stopped trying to make overtly 'spacey' music and trip people out in that way in the 60's. But that image hangs on and we can't seem to get shot of it."

 
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"The very early days of Pink Floyd were magical. We played small auditoriums for entranced audiences, and there was a wonderful sense of communion. We got overpowered by the weight of success and numbers — not just the money but the size of the audience. I became very disenchanted. I had to make the choice of staying on the treadmill or making the braver decision to travel a more difficult path alone."

 
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"This is the subject," said Pierre Villiers. "It gives me scope to amuse and tell the truth at the same time. A man pierces a hole in the wall of a boarding-house room, and watches what is going on in the next room."

 
Henri Barbusse
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