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Daniel Johns

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I'm aware that if you keep shifting there are going to be people who really respect you for it and just as many who go: 'There's no stability with that dude. I'm going to buy Nickelback's new album.'
--
The Australian, "Pop goes sad boy of rock" June 2004

 
Daniel Johns

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Ever since I was a little boy, I would study composition. And it was Pyotr Ilyich Tchaikovsky that influenced me the most. If you take an album like Nutcracker Suite, every song is killer, every one. So I said to myself, 'Why can't there be a pop album where every...' — People used to do an album where you'd get one good song, and the rest were like B-sides, they'd call them "album songs" — and I'd say to myself 'Why can't every one be like a hit song? Why can't every song be so great that people would want to buy it if you could release it as a single?. So I always tried to strive for that. That was the purpose for the next album.

 
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Russia is no longer a military threat. But I do think we have a responsibility to try to enhance stability and democracy. And only a democratic country can be stable … It's reasonable to allow time for the development of democracy … But Putin's Russia is moving in the wrong direction ... many seem to think that one should tolerate some 'failures' since 'stability' has gained ground. I believe this kind of realpolitik is dangerous. Stability can only result from a genuine democracy, rule of law and respect of human rights.

 
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The moment you meet him you're like 'this dude's famous,' whether a million people know it or no one knows it. The first time I met him, when I was like 16, I was like, 'This is a dude I want to know.' He just has a magnetic personality. And I think there's something kind of cool about the front man of our band being the bassist who doesn't sing.

 
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On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this..." I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.

 
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I think that natural truths will cease to be spat at us like insults, that aesthetics will once more be linked with ethics, and that people will become aware that in casting out aesthetics that they also cast out a respect for human life, a respect for creation, a respect for spiritual values. Aesthetics was an expression of man's need to be in love with his world. The cult of ugliness is a regression. It destroys our appetite, our love for our world.

 
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