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Daniel J. Boorstin

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I write to discover what I think. After all, the bars aren't open that early.
--
On why he did his writing at home from 6:30 to 8:30 AM, as quoted in Wall Street Journal (31 December 1985)

 
Daniel J. Boorstin

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Nobody has to read this book. Nobody has to pick it up. Nobody has to open it. And if you open it and read it, you don't have to like it. And if you read it and you dislike it, you don't have to remain silent about it. You can write to me, you can complain about it, you can write to the publisher, you can write to the papers, you can write your own book. You can do all those things, but there your rights stop. No one has the right to stop me writing this book. No one has the right to stop it being published, or bought, or sold or read.

 
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Animals, these beings trapped
As I am trapped but not, themselves, the trap,
Aging, but without knowledge of their age,
Kept safe here, knowing not of death, for death
— Oh, bars of my own body, open, open!

 
Randall Jarrell
 

That was all a man needed: hope. It was a lack of hope that discouraged a man. I remembered my New Orleans days, living on two five-cent candy bars a day for weeks at a time in order to have leisure to write. But starvation, unfortunately, didn't improve art. It only hindered it. A man's soul was rooted in his stomach. A man could write much better after eating a porterhouse steak and drinking a pint of whiskey than he could ever write after eating a nickel candy bar. The myth of the starving artist was a hoax.

 
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Early in my public labors I was bidden by the Lord, "Write, write the things that are revealed to you." At the time this message came to me, I could not hold my hand steady. My physical condition made it impossible for me to write. But again came the word, "Write the things that are revealed to you." I obeyed; and as the result it was not long before I could write page after page with comparative ease. Who told me what to write? Who steadied my right hand, and made it possible for me to use a pen? — It was the Lord.

 
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It's really a therapeutic experience for me to begin to write about the coup because I was involved in the 1987 coup and in particular the 2000 coup. For someone who was involved in all the coups it has been difficult for me to open up and write. The fact that I am able to write marks a turning point for me.

 
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