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Conor Oberst

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For a song I was bought
Now I lie when I talk
With a careful eye on the cue card.
Onto a stage I was pushed,
With my sorrow well rehearsed.
So give me all your pity and your money, now (all of it).
--
False Advertising

 
Conor Oberst

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[Backstage] she was wonderful; she was marvelous. She was easy-going and a worker. Oh my goodness! She rehearsed and rehearsed; always full-voice, never pushing the sound, but she would work till she got what was wanted. And of course had very poor eyesight. She used to pace out how many steps she would go, and there were steps and different levels on stage, as they were, in Norma. And she knew how many paces she could take before she had to take a step, because she was blind as a bat. She had terrible eyesight and, of course, couldn’t wear contact lenses at the stage. She did later.

 
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There are four ways in which you can spend money. You can spend your own money on yourself. When you do that, why then you really watch out what you’re doing, and you try to get the most for your money. Then you can spend your own money on somebody else. For example, I buy a birthday present for someone. Well, then I’m not so careful about the content of the present, but I’m very careful about the cost. Then, I can spend somebody else’s money on myself. And if I spend somebody else’s money on myself, then I’m sure going to have a good lunch! Finally, I can spend somebody else’s money on somebody else. And if I spend somebody else’s money on somebody else, I’m not concerned about how much it is, and I’m not concerned about what I get. And that’s government. And that’s close to 40% of our national income.

 
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I bought a doughnut and they gave me a receipt for the doughnut. I don't need a receipt for the doughnut. I'll just give you the money, and you give me the doughnut, end of transaction. We don't need to bring ink and paper into this. I just can't imagine a scenario where I would have to prove that I bought a doughnut. Some skeptical friend: "Don't even act like I didn't get that doughnut! I got the documentation right here...oh, wait it's at home...in the file...under "D", for "doughnut."

 
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Mary was forty years old when she first played Peter Pan, yet she rehearsed fourteen hours a day and seemed fresh and high spirited while everyone else in the company drooped with fatigue. She was determined to fly all over the stage in the part.

 
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It is only at first that pity, like morphine, is a solace to the invalid, a remedy, a drug, but unless you know the correct dosage and when to stop, it becomes a virulent poison. The first few injections do good, they soothe, they deaden the pain. But the devil of it is that the organism, the body, just like the soul, has an uncanny capacity for adaptation. Just as the nervous system cries out for more and more morphine, so do the emotions cry out for more and more pity, in the end more than one can give. Inevitably there comes a moment when one has to say 'no', and then one must not mind the other person's hating one more for this ultimate refusal than if one had never helped him at all. Yes, my dear Lieutenant, one has got to keep one's pity properly in check, or it does far more harm than any amount of indifference — we doctors know that, and so do judges and myrmidons of the law and pawn-brokers; if they were all to give way to their pity, this world of ours would stand still - a dangerous thing pity, a dangerous thing!

 
Stefan Zweig
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