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Charles Manson

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Maybe I should have killed four, five hundred people. Then I would have felt better. Then I would have felt like I really offered society something.

 
Charles Manson

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But to go deeper, beneath what people said (and these judgements, how superficial, how fragmentary they are!) in her own mind now, what did it mean to her, this thing she called life? Oh, it was very queer. Here was So-and-so in South Kensington; some one up in Bayswater; and somebody else, say, in Mayfair. And she felt quiet continuously a sense of their existence and she felt what a waste; and she felt what a pity; and she felt if only they could be brought together; so she did it. And it was an offering; to combine, to create; but to whom?

 
Virginia Woolf
 

It’s good to be 18. For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that’s because my parents always treated me as an adult.

 
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I have always felt that I was different from others. I felt it when I was small. I felt that there was a soul in me. I saw the world from a height of many thousand meters. Even when I was thrashed it was of no concern to me; I could tuck Reykjavik under my arm and go away with it.

 
Halldor Laxness
 

Painting and sculpture are very archaic forms. It’s the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe. It’s a very archaic form. Same things can be said with words, writing poetry, making sounds, music. It is a unique thing.. ..I think that the original revolutionary impulse behind the New York School, as I felt it anyway, and as I think my colleagues felt and the way we talked all the time, was a kind of a.. ..you felt as if you were driven into a corner against the wall, with no place to stand, just the place you occupied as if the act of painting was not making a picture.. ..it was as if you had to prove to yourself that truly the act of creation was still possible.. ..I felt as if I was talking to myself, having a dialectical monologue with myself to see if I could create.

 
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I'd had enough. I felt so low: I was 26 and there was an exact moment when I just knew I didn't want to do it any more. I was out with two very good friends of mine, who are now dead. They both died of alcoholism. It was about 3am and I thought: "I don't want this. I have to stop." I'd felt that before, a hundred times, but I woke up next morning and I still didn't want to do it. And that was the first time in ten years I'd had that strength of feeling.

 
Trinny Woodall
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