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Cass Elliot

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I've always wanted to go to England; I've always felt a tremendous drawing to England — especially the Elizabethan period. I felt I was familiar with a lot of it — more than what I was familiar with from what I read and studied in school. I went to England. I started driving. I drove to Stonehenge and found that I had been there. It was familiar to me. I went to the tower of London and knew that I had been there. It was more than just feeling vibrations, which a lot of people can do — feel, you know, vibrations of a place that has antiquity screaming through it. It was an irrefutable fact. It was like coming home for me.

 
Cass Elliot

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To me, England is the country, and the country is England. And when I ask myself what I mean by England when I am abroad, England comes to me through my various senses — through the ear, through the eye and through certain imperishable scents ... The sounds of England, the tinkle of the hammer on the anvil in the country smithy, the corncrake on a dewy morning, the sound of the scythe against the whetstone, and the sight of a plough team coming over the brow of a hill, the sight that has been seen in England since England was a land ... the one eternal sight of England.

 
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I'm still not that familiar with it [Intelligent Design]. I'm more familiar with it than most people, but nowhere near as familiar with it as a genuine expert in the subject. I don't pretend to be a scientist. I'm the person who moderates the discussion between and among the scientists.

 
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People who talk of the spread of music in England and the increasing love of it, rarely seem to know where the growth of the art is really strong and properly fostered: some day the press will awake to the fact, already known abroad and to some few of us in England, that the living centre of music in Great Britain is not London, but somewhere further North.

 
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I felt like lying down by the side of the trail and remembering it all. The woods do that to you, they always look familiar, long lost, like the face of a long-dead relative, like an old dream, like a piece of forgotten song drifting across the water, most of all like golden eternities of past childhood or past manhood and all the living and the dying and the heartbreak that went on a million years ago and the clouds as they pass overhead seem to testify (by their own lonesome familiarity) to this feeling. Ecstacy, even, I felt, with flashes of sudden remembrance, and feeling sweaty and drowsy I felt like sleeping and dreaming in the grass.

 
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The Queen of England has more cause to procure the preservation of the Low Countries in their ancient estate in the obedience of the house of Burgundy than any other place hath...Now if the Low Countries should either be subdued to the Spaniards or possessed by the French, England cannot continue this manner of league. For if the Spaniard shall possess this country by conquest, as otherwise they cannot, then must they also govern it as conquers—that is build in every country and special towns, forts and castles which must be kept and guarded with Spaniards...To maintain these the King must continue great taxes...and there will be no reason to stop him but he will set what tax he listeth upon the commodities of England and so shall England wax poor to make him rich. And then England will have no remedy.

 
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