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Caspar David Friedrich

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Friedrich empties his canvas in order to imagine, through an invocation of the void, an infinite, unrepresentable God.
--
Joseph Leo Koerner, as quoted in "Absent Presences in Liminal Places: Murnau's Nosferatu and the Otherworld of Stoker's Dracula" by Saviour Catania in Literature Film Quarterly (2004).

 
Caspar David Friedrich

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It’s (painting like this – you are in front of your canvas, your hands holds the painting, ready, raised. The canvas waits, waits, empty and white – but all the time it knows what it wants. So – what does it want, anyway? My hand comes near, my eyes begin to transform the waiting canvas; and when – with my hand holding the paint and my eyes seeing the forms – I touch the canvas, it trembles, it comes to life. The struggle begins, to harmonize canvas, eye, hand forms. New apparitions stalk the earth, c. 1953

 
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It is then unnecessary to investigate whether there be beyond the heaven Space, Void or Time. For there is a single general space, a single vast immensity which we may freely call Void; in it are innumerable globes like this one on which we live and grow. This space we declare to be infinite, since neither reason, convenience, possibility, sense-perception nor nature assign to it a limit. In it are an infinity of worlds of the same kind as our own.

 
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