Édouard Fournier, in L'Espirit dans l'Historie (1867), 3rd edition, Ch. 51, p. 260, disputes the traditional attribution, and suggests various agents of Richelieu might have been the actual author.
Cardinal Richelieu (born Armand Jean du Plessis)
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Endless presentation of conflict may interfere with genuine issue resolution. There is evidence that the television food-fights not only don't represent the views of most people — who are not so polarized — but may tend to make resolution of actual disputes more difficult in the real world. At the very least, they obscure the recognition that we resolve disputes every day.
Michael Crichton
Dans notre état, il faut opter; il s'agit de faire fortune dans ce monde ou dans l'autre, il n'y a pas de milieu.
Stendhal
But I would like to think for a moment about a man who in the morning teaches his students that a false attribution of a Watteau drawing or an inaccurate transcription of a fourteenth-century epigraph is a sin against the spirit and in the afternoon or evening transmits to the agents of Soviet intelligence classified, perhaps vital information given to him in sworn trust by his countrymen and intimate colleagues. What are the sources of such scission? How does the spirit mask itself?
George Steiner
The history of this paper suggests that highly speculative investigations, especially by an unknown author, are best brought before the world through some other channel than a scientific society, which naturally hesitates to admit into its printed records matter of uncertain value. Perhaps one may go further, and say that a young author who believes himself capable of great things would usually do well to secure the favourable recognition of the scientific world by work whose scope is limited, and whose value is easily judged, before embarking upon higher flights.
John Strutt
Zola, who has so faithfully described the impulse to commit murder, did not himself commit a murder, because there were so many other characters in him. The actual murderer is in the grasp of his own disposition: the author describing the murder is swayed by a whole kingdom of impulses. Zola would know the desire for murder much better than the actual murderer would know it, he would recognise it in himself, if it really came to the surface in him, and he would be prepared for it. In such ways the criminal instincts in great men are intellectualised and turned to artistic purposes as in the case of Zola, or to philosophic purposes as with Kant, but not to actual crime.
Otto Weininger
Richelieu, Cardinal (born Armand Jean du Plessis)
Richie, Lionel
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