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Brian Viglione

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Interviewer: Have you ever attended a mime school?

 
Brian Viglione

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I have to mime at parties when everyone sings Happy Birthday . . . mime or mumble and rumble and growl and grunt so deep that only moles, manta rays and mushrooms can hear me.

 
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During the years when my own daughters were pupils in this school I attended many of these gatherings, and heard many speeches made by men who stood where I stand at this moment. They said all sorts of things. I recall one speaker who said that as he looked out at the girls who were assembled to receive prizes, and to pay their last respects to their school, he felt as though he were looking over a garden of exquisite flowers. He was drunk, poor man, and it would be absurd to treat his remark as though he were speaking on oath.

 
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Interviewer: What other interests do you have?
Monk: Life in general.
Interviewer: What do you do about it?
Monk: Keep breathing.
...
Interviewer: What do you think the purpose of life is?
Monk: To die.

 
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Perhaps true appreciation of Marceau requires a step back in time. Before Marceau broke out of an invisible box and stepped into millions of American's living rooms on Max Liebman's "Show of Shows" nearly 40 years ago, you could fit the number of people who knew or much less cared anything about the art of pantomime in a Citroen. What we know of mime -- the mute theatrics, the exaggerated body language, the requisite black-and-white get-up — was essentially minted by Marceau. ... When Marceau is gone, we won't say, "There goes one of the world's greatest mimes," but "There goes 'the' world's great mime."

 
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