Thursday, April 25, 2024 Text is available under the CC BY-SA 3.0 licence.

Brian Urlacher

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Just watch the film... I don’t know what people are saying, but I’m not too worried about it anymore. All I can do is go out there and play hard and try and help my team win, and that’s what I’m going to keep doing.
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Adversity not slowing Urlacher's meteoric rise (in English).
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After being dubbed "overrated"

 
Brian Urlacher

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Playing gay in the theater is more fulfilling than on film because you can create a whole character and a backstory and you get to chip away at something over a long period of time. When you’re acting on film you sort of have one afternoon in front of a crew to just do it. And you don’t want to then be too overt and like that stereotype. But when I was doing A Paris Letter with Josh [Radnor], I was playing someone overtly flamboyant from the ’60s seducing him, and if I did that on film, I think it would look like I was acting too hard. It’s one of the fun things one wants to do as an actor, to play the flamboyant gay guy. But when you are gay that ends up being offensive to people. Say I was asked to play a flamboyant steward in an Airplane!–type farce. It would be a difficult decision to say yes to that role at this point because a lot of people would accuse me of making a mockery of gay people.

 
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The stern dad stuff doesn't work anymore. You have to be level with the kids, you have to be a nice guy... The authority thing just doesn't work anymore. It's like directing a Chinese film vs. directing an American film. On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.

 
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The people who come to watch us play, who love the team and regard it as part of their lives, would never appreciate Liverpool having a huge balance in the bank. They want every asset we possess to be wearing a red shirt.

 
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I would watch Wizard of Oz, like every day, when I was two. I had a hard time understanding that I couldn't go into the film, because it felt so real to me.

 
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There's probably not a department in his game that couldn't be considered the best in that department. You watch him play Hewitt and everybody marvels at Hewitt's speed, as well as myself. And you start to realize, `Is it possible Federer even moves better?' Then you watch him play Andy [Roddick], and you go, `Andy has a big forehand. Is it possible Federer's forehand is the best in the game?' You watch him at the net, you watch him serve-volley somebody that doesn't return so well and you put him up there with the best in every department. You see him play from the ground against those that play from the ground for a living, and argue he does it better than anybody.

 
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