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Boris Johnson

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The proposed ban on incitement to “religious hatred” makes no sense unless it involves a ban on the Koran itself; and that would be pretty absurd, when you consider that the Bill's intention is to fight Islamophobia.
--
Daily Telegraph 21 July 2005

 
Boris Johnson

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While Islamophobia like anti-Semitism is centuries old, it too will not be eradicated easily or soon. Therefore we all have a critical role to play: Government policy makers, educational institutions and the media, religious and political leaders, educators, media people, believers and unbelievers, the private and public sectors and international organisations like the UN are charged today to address and promote inter-religious and inter-cultural dialog to build a world based upon a modern notion of tolerance, that is grounded in mutual understanding and respect for others. For the end of the day Islamophobia, anti-Semitism and other forms of intolerance know no religious, racial, tribal or national bounderies or limits. The message at the end of the day is simple and clear: Islam is not the enemy, religious extremism is.

 
John Esposito
 

If our nation can issue a dollar bond, it can issue a dollar bill. The element that makes the bond good, makes the bill good, also. The difference between the bond and the bill is the bond lets money brokers collect twice the amount of the bond and an additional 20%, whereas the currency pays nobody but those who contribute directly in some useful way. ... It is absurd to say our country can issue $30 million in bonds and not $30 million in currency. Both are promises to pay, but one promise fattens the usurers and the other helps the people.

 
Thomas Alva Edison
 

? "Absurd" originally means "out of harmony," in a musical context. Hence its dictionary definition: "out of harmony with reason or propriety; incongruous, unreasonable, illogical." In common usage, "absurd" may simply mean "ridiculous," but this is not the sense in which Camus uses the word, and in which it is used when we speak of the Theatre of the Absurd. In an essay on Kafka, Ionesco defined his understanding of the term as follows: "Absurd is that which is devoid of purpose. . . . Cut from his religious, metaphysical, and transcendental roots, man is lost; all his actions become senseless, absurd, useless."

 
Martin Esslin
 

I do not consider myself a religious person in the usual sense, but there is a religious aspect to some highs. The heightened sensitivity in all areas gives me a feeling of communion with my surroundings, both animate and inanimate. Sometimes a kind of existential perception of the absurd comes over me and I see with awful certainty the hypocrisies and posturing of myself and my fellow men. And at other times, there is a different sense of the absurd, a playful and whimsical awareness. Both of these senses of the absurd can be communicated, and some of the most rewarding highs I've had have been in sharing talk and perceptions and humor. Cannabis brings us an awareness that we spend a lifetime being trained to overlook and forget and put out of our minds. A sense of what the world is really like can be maddening; cannabis has brought me some feelings for what it is like to be crazy, and how we use that word "crazy" to avoid thinking about things that are too painful for us. In the Soviet Union political dissidents are routinely placed in insane asylums. The same kind of thing, a little more subtle perhaps, occurs here: "did you hear what Lenny Bruce said yesterday? He must be crazy."

 
Carl Sagan
 

The historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.

 
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