Friday, March 29, 2024 Text is available under the CC BY-SA 3.0 licence.

Bjork Guomundsdottir

« All quotes from this author
 

She has a weird energy about her as a woman. We were in this town to do a show and she spread such positive vibes. There were birds singing and rainbows – we could even see a tornado going on! We could actually see it!” Maya exclaims. “I think that every artist has an aura and persona that develops and Bjork spreads such a positive energy. You can just feel it.” She recounts the part of the show where the Icelandic princess allowed her to get involved in the finale, clearly ecstatic at the trust the legendary songstress placed in her to play her instruments. “Now I wouldn’t even let myself play instruments!” she laughs. “But it was so good that she wasn’t afraid of me messing her show up. I suppose its something that you learn when you get older.”
--
M.I.A.

 
Bjork Guomundsdottir

» Bjork Guomundsdottir - all quotes »



Tags: Bjork Guomundsdottir Quotes, Authors starting by G


Similar quotes

 

"The live show incorporates a live band, video projections, performance art and instruments designed specifically for the show. The 3 of us up front (myself, Kem and Dale) play multiple instruments depending on the requirements of the piece. Mike holds down the drums and electronic percussion."

 
Klayton
 

Solange Knowles: "I went to a M.I.A. show and I thought the best moment of her show, is she literally invited anyone who wanted to onstage, just the energy of, you know, being with the crowd, and its people who love your music, it feels really good." September 2008, Jimmy Kimmel Show

 
M.I.A.
 

"When you go to a show you should see more than four or five dudes on the stage basically playing the CD back to you. You're going to see a show, do something entertaining. The Celldweller live show involves performance art elements, a lot of percussive elements, and video synchronization to the music- as well as the energy of a total live band. Hopefully it's something different than people are accustomed to seeing. I've never been afraid of being different and a lot of times when you do that you're not accepted immediately. That's okay. I've been doing this long enough, if they get it they get it, if they don't, they don't. I don't really care."

 
Klayton
 

New-age woolly-hat Glastonbury mystics weary me, sometimes, but they talk about energy, the energy of a place, of a person. We all know what they mean, but at the same time it has to be said that this is not energy that is going to show up on an autometer. We’re not talking about energy in the conventional sense that physics talks about energy. To me, energy is information – I think you can make that bold a statement. The only lines of energy that link up disparate sites in London are lines of information, that have been drawn by an informed mind. The energy that we put forth is information we have taken in. We will see a work of art and it will give us inspiration, it will give us energy. It’s given us information that we can turn to our own use and put out as something else. That’s the kind of energy that we – and psychogeography – are talking about.

 
Alan Moore
 

The more you get into material and matter, all you realize is in matter, there is energy. There is a blur between energy and consciousness. All material is conscious to some extent or another. All material can respond to some extent or another to vibrations of energy that is different to energy you learn about in physics. There are all sorts of reliable information now on people and animal being able to be able to effect the operations of machines—even of computers—and I think that has great implications for what goes on between a musician and his instrument. There is a level of reality where there is no time, and there is no space, there is just energy. And we have contact with that through the intermediate layers, so, if the right channels—if the right connections are established, I don’t see why a piece of matter, a piece of broken glass or and old record can’t make contact through this very high level of reality that has access to everything past and future. I suppose my instruments do retain some sort of memory of me. I know that when I’m working on them I feel (not explicitly, I don’t hear voices in my head or anything) that I’m making a connection with it. The circuit diagram, that is then converted into a circuit board, which then becomes a part of an instrument is something that is a record that I made. So I guess in that sense it is something that is certainly a memory.

 
Robert Moog
© 2009–2013Quotes Privacy Policy | Contact