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Azar Nafisi

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Empathy lies at the heart of Gatsby, like so many other great novels — the biggest sin is to be blind to others' problems and pains. Not seeing them means denying their existence.

 
Azar Nafisi

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Somewhere along the line, he thought, these things have become your heritage. You are multiplied by each sound that you hear. And you cannot deny them, without denying with them the purpose of your own existence. Yet now, he told himself, you are denying them, by renouncing the place that they have given you.

 
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I wish I got to tell him how much his music existence changed my life. He was my biggest inspiration and will forever live on in my heart.

 
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The light that radiates from the great novels time can never dim, for human existence is perpetually being forgotten by man and thus the novelists' discoveries, however old they may be, will never cease to astonish.

 
Milan Kundera
 

I know that life is a doorway to eternity, and yet my heart so often gets lost in petty anxieties. It forgets the great way home that lies before it. Unprepared, given over to childish trivialities, it could be taken by surprise when the great hour comes and find that, for the sake of piffling pleasures, the one great joy has been missed. I am aware of this, but my heart is not. It seems unteachable; it continues its dreaming … always wavering between joy and depression.

 
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Fantasy allows you to shine a different kind of light on human beings. I believe the only valid use of fantasy is to illustrate important human themes. Magic in my novels is used in three ways: the simplest is as a metaphor for technology. A good example is a magic carpet. There's no magic carpet in my novels, but if someone needs to travel a great distance, they could use a magic carpet, while in a contemporary novel they'd use a car. The second way, and I think the most important, is as a metaphor for individuality and individual ability. The mediocre world doesn't want individuals to rise above what everyone else is doing. The third way I use magic is as a metaphor for coming out of an age of mysticism into a Renaissance. So, in a way it's the struggle between the Dark Ages and the Renaissance. ... I never allow my characters to use magic to solve their problems. Some of their peripheral problems are solved through their magical abilities, but it's couched in terms of overcoming those problems in a thinking way. The major conflicts in the books are always solved through human intellect, through thinking out the problem and coming up with a solution. It's never "I'll just wave my magic wand over the bad guys and have them all fall down dead!"

 
Terry Goodkind
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