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Arthur Rimbaud

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Il pleut doucement sur la ville.
--
It rains softly on the town.
--
From a lost poem

 
Arthur Rimbaud

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Gautier, vous en irées ? chiaus de Calais, et dirés au chapitainne, monsigneur Jehan de Viane, que vous avés tant travilliet pour yaus, et ossi ont tout mi baron, que je me sui accordés ? grant dur ? ce que la plus grant grasce qu'il poront trouver ne avoir en moy, c'est que il se partent de le ville de Calais six des plus notables bourgeois, en purs les chiés et tous, deschaus, les hars ou col, les clés de le ville et dou chastiel en leurs mains. Et de chiaus je ferai ma volonté, et le demorant je prenderai ? merci.

 
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Everything that would be said against the Eixample's heirs, from Le Corbusier's 'ville radieuse' to Oscar Niemeyer's Brasilia, was already said, with far less justice, about the Eixample itself. And all its critics concurred that the basic mistake was to have left the planning of a city in the hands of a socialist.

 
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To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz’s performance, he also was impressed by the film’s startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world’s a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.

 
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