Tuesday, March 19, 2024 Text is available under the CC BY-SA 3.0 licence.

Adlai Stevenson

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I have tried to talk about the issues in this campaign... But, strangely enough, my friends, this road has been a lonely road because I never meet anybody coming the other way.
--
Speeches of Adlai Ewing Stevenson (1952), p. 121.

 
Adlai Stevenson

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We will write a postcard
To our friends and family
In free verse On the road with Kerouac
Sheltered in his Bivouac
On this road we'll never die...

 
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hurts I have are my fault but I'm sure gonna learn from it and hopefully anyone reading this will too. the lesson: stay aware on a bicycle and look up the road in front of you at all times to make sure you can deal w/what's coming and the condition of the road you're gonna be rolling down!

 
Mike Watt
 

If you're working with words, it's got to be poetry. I grew up with Kerouac. If he hadn't wrote On The Road, the Doors would have never existed. Morrison read On The Road down in Florida, and I read it in Chicago. That sense of freedom, spirituality, and intellectuality in On The Road — that's what I wanted in my own work.

 
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How could one argue with a man who was always drawing lines and circles to explain the position; who, one day, drew a diagram [here Michael illustrated with pen and paper] saying 'take a point A, draw a straight line to point B, now three-fourths of the way up the line take a point C. The straight line AB is the road to the Republic; C is where we have got to along the road, we canot move any further along the straight road to our goal B; take a point out there, D [off the line AB]. Now if we bend the line a bit from C to D then we can bend it a little further, to another point E and if we can bend it to CE that will get us around Cathal Brugha which is what we want!' How could you talk to a man like that?

 
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I pulled On The Road off the shelf and found myself reading it between classes, and at that time in my life it was exactly what I craved, exactly what I needed to hear. I thought, “That’s the way, that’s the ideal life, that’s great. You get in a car and you drive and you see your friends and you end up in a city for a night and you go out drinking and you catch up and you share these really intense experiences. And then you’re on the road and you’re doing it again.” The romance of the road, particularly from Kerouac’s work, encapsulated how I wanted to live. I found a way to do it by being a musician, which is what I always wanted to be. The traveling and the being on tour and being away from home set a precedent for me where I thought, “Oh yeah, this is how it works.”
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